Dan Wells biography
Dan Wells was born in 1977. His parents were avid readers and SF/Fantasy fans, and when he was six years old his dad read him The Hobbit. He has been hooked on everything like it ever since.
Wells grew up in the Utah and spent his childhood reading, writing, and learning everything he could. When he was finally old enough to go the library on his own he went almost every day, devouring book after book until the librarians knew him by name. Here he discovered Anne McCaffrey, Robin McKinley, Madeline L’Engle, Lloyd Alexander, and Fred Saberhagen.
Wells lived in Mexico for two years, and travelled to Germany for a few weeks. He got married and had four kids. He has worked as a marketing and advertising writer in a string of local corporations. He has also volunteered on a small press SF magazine (The Leading Edge) and started a game review website.
- I Am Not A Serial Killer
John Wayne Cleaver is dangerous, and he knows it. Obsessed with serial killers, he never wants to be one. Yet terrible impulses constantly tempt him. Having grown up helping his mom at the family mortuary, dead bodies are no big deal to John. He likes them, actually. They don’t ask for the empathy he’s unable to offer. Perhaps that’s what gives him the clarity to recognize that something is frighteningly different about the freshest body on the slab. For the first time, John must confront a danger outside his own mind, a threat he cannot control, a menace to everything and everyone he would love, if only he could.
- Mr. Monster
I killed a demon. I don’t know if it was really, technically a demon, but I do know that he was some kind of monster, with fangs and claws and the whole bit, and he killed a lot of people. So I killed him. I think it was the right thing to do. At least the killing stopped. Well, it stopped for a while. In I Am Not a Serial Killer, John Wayne Cleaver saved his town from a murderer even more appalling than the serial killers he obsessively studies. But it turns out even demons have friends, and the disappearance of one has brought another to Clayton County. Soon there are new victims for John to work on at the mortuary and a new mystery to solve. But John has tasted death, and the dark nature he used as a weapon---the terrifying persona he calls “Mr. Monster” - might now be using him. No one in Clayton is safe unless John can vanquish two nightmarish adversaries: the unknown demon he must hunt and the inner demon he can never escape.
- I Don’t Want To Kill You
John Wayne Cleaver has called a demon - literally called it on the phone - and challenged it to a fight. He’s faced two monsters already, barely escaping with his life, and now he’s done running; he’s taking the fight to them. As he wades through the town’s darkest secrets, searching for any sign of who the demon might be, one thing becomes all too clear: in a game of cat and mouse with a supernatural killer, you are always the mouse.
- A Night Of Blacker Darkness
The human race is all but extinct after a war with Partials - engineered organic beings identical to humans - has decimated the population. Reduced to only tens of thousands by RM, a weaponized virus to which only a fraction of humanity is immune, the survivors in North America have huddled together on Long Island while the Partials have mysteriously retreated. The threat of the Partials is still imminent, but, worse, no baby has been born immune to RM in more than a decade. Our time is running out. Kira, a sixteen-year-old medic-in-training, is on the front lines of this battle, seeing RM ravage the community while mandatory pregnancy laws have pushed what's left of humanity to the brink of civil war, and she's not content to stand by and watch. But as she makes a desperate decision to save the last of her race, she will find that the survival of humans and Partials alike rests in her attempts to uncover the connections between them—connections that humanity has forgotten, or perhaps never even knew were there.
- The Hollow City
Michael Shipman is paranoid schizophrenic; he suffers from hallucinations, delusions, and complex fantasies of persecution and horror. That’s bad enough. But what can he do if some of the monsters he sees turn out to be real? Who can you trust if you can't even trust yourself?