American Gods by Neil Gaiman
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Review by Joshua S Hill
In what is one of his most celebrated works, up there along with Sandman, Neil Gaiman’s American Gods is one of the best books of its genre. The real dilemma presented us however is understanding just which genre Gaiman was writing. This is not a negative opinion of his writing ability, suggesting that he doesn’t seem to have any idea what he is doing. Just the contrary, American Gods manages to broach several genre barriers all the while making it look as if Gaiman was creating his own genre.
The end result is very much like creating a new species of rose; you take those qualities from other roses that you want, and then splice (is that the right term, or have I gone down a more Frankenstein’s monster route?) them all together. The process may not be all that pleasant, but the outcome is beautiful.
Wikipedia, my source for all things, describes the novel as “a blend of Americana, fantasy, and various strands of ancient and modern mythology.” Of those three, I was already a fan of the latter two (I’m combining mythologies into one), but even having loved American Gods I can’t say that I’m anymore a fan of Americana than I was when I started.
The story follows the “mysterious and taciturn protagonist” (Wikipedia again), Shadow, who starts out a prisoner coming up on his last days in prison. However Shadow is released a few days earlier, due to the untimely death of his wife, Laura. On the flight back home he meets a man, Mr. Wednesday, who shows not only too much interest in Shadow, but too much knowledge to be comfortable.
Wednesday came out of a room down the hall, and beckoned to Shadow.
“How was the funeral?” he asked.
“It’s over,” said Shadow.
“You don’t want to talk about it?”
“No,” said Shadow.
Good.” Wednesday grinned. “Too much talking these days. Talk talk talk. This country would get along much better if people learned how to suffer in silence." 
What comes next, after Shadow accepts a job from Wednesday to be his bodyguard and all around odd-jobs man, is a variety of cross-country trips. We quickly get the sense that Wednesday is more than he seems, and Shadow’s unfortunate lack of knowledge seems to be winding him up in a lot of trouble.
Over the course of the book, Shadow is introduced to a variety of Wednesday’s friends, associates and, for lack of a better term, enemies. Gaiman does a commendable job of creating a mythology for America which, like Australia, is a country based upon the fragments of others. And so, naturally, fragments of old gods live across the US. Add to that a mix of American folk heroes like Johnny Appleseed, along with some new gods that the Americans have cooked up, manifestations of modern life and technology like the internet, TV, etc.
The entire plot, not unsurprisingly, is left hinging on Shadow; the choices he has made and the choices he is left to make. And while things don’t come to resolution until the battle is won, there are points where you just wish you could be left alone with Shadow, and the small community of Lakeside.
Shadow shut the front door. The room was freezing. It smelled of people who had gone away to live other lives, and of all they had eaten and dreamed. He found the thermostat and cranked it up to seventy degrees. He went into the tiny kitchen, checked the drawers, opened the avocado-colored refrigerator, but it was empty. No surprise there. At least the fridge smelled clean inside, not musty.
Being born an Englishman, and by Englishman I mean a “man” born in “England”, Gaiman shows a surprising and unerring ability to describe America as if he had not only been brought up there, but had somehow been part of the scenery for a long time. The descriptions of locales all across the country give you the sense that, for a period of time, Gaiman did nothing but drive across the US, occasionally peering into people’s houses, site-seeing and generally attempting to memorize the entire country.
But even having that knowledge would have been nothing, without his almost unnatural ability to write. I imagine Gaiman could write a book about the effects of frostbite and I would still be fascinated, drawn in by his spellbinding and almost magical descriptions.
If you are a fan of either of the three categories, a fan of literature, America, or even a fan of zombies (what’s a dead wife if she can’t come back to visit, eh?), American Gods by Neil Gaiman is for you. And though I can only award it 8 out of 10, it isn’t for lack of trying. It is simply that other things came before it which scored better, and I’m now stuck in a perpetual ratings loop.
American Gods (Amazon.co.uk)
Author: Neil Gaiman
Binding: Paperback
Number of pages: 672
Publication date: 2005-09-19
Publisher: Headline Review
RRP: £7.99
Lowest new price: £2.80
Lowest used price: £1.59
Within just a few pages of Neil Gaiman's novel American Gods, he commandingly reveals that he is at his considerable best with this disturbing and dark journey into the hidden soul of America. Gaiman, one of the most talented and imaginative writers at work today, achieved nigh-legendary status with his comic Sandman, which took the genre to heights that even the equally talented Alan Moore had not attained; Gaiman's subsequent career as a novelist has displayed the same glittering inventiveness and exquisite use of language.
Gaiman's protagonist Shadow has patiently done his time in prison. But as the moment of his release approaches, he begins to sense that some unnamed disaster is lying in wait for him. As he makes his way home, he encounters the mysterious Mr Wednesday, who appears to be both a refugee from a distant country at war and the King of America. And perhaps even a god. As Shadow and Mr Wednesday begin a bizarre odyssey across the United States, solving murders is only one of their accomplishments. With an epic storm of supernatural origin brewing, one questions whether they will be destroyed before Shadow pays the price for grim mistakes in his past.
The use of language here is impeccable, and it is wedded to a surreal narrative that brings out the most quirky and unsettling aspects of Gaiman's imagination. Forget Gaiman the Guru: just enjoy Gaiman the consummate writer:
He opened his mouth to catch the rain as it fell, moistening his cracked lips and his dry tongue, wetting the ropes that bound him to the trunk of the tree. There was a flash of lightning so bright it fell like a blow to his eyes, transforming the world into an intense panorama of image and after-image. The wind tugged at Shadow, trying to pull him from the tree, flaying him, cutting to the bone. Shadow knew in his soul that the real storm had truly begun...--Barry Forshaw
Amazon.co.uk Review
American Gods: The Author's Preferred Text (Amazon.com)
Author: Neil Gaiman
Binding: Paperback
Number of pages: 672
Publication date: 2005
Publisher: Headline Book Publishing
RRP:
Lowest new price:
Lowest used price: $4.98
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