A post by Peter Newman, author of The Vagrant and The Malice
Although The Vagrant is known for having a silent protagonist I’m going to talk about someone else in the series today, a character known as Tough Call.
Tough Call is the rebel leader of Verdigris, who sets up her group headquarters underneath the city when it is overrun by demons. A child of the old administration, she opts to fight rather than bend the knee. Moreover when she comes into contact with one of the demons, she elects to cut off her own arm rather than succumb to the taint. The taint, in case you’re wondering, is something that surrounds the demons and can alter any human, animal or plant that it comes into prolonged contact with, mutating them into strange half-breed creatures. At the lowest end of the spectrum this could mean the loss or gain of nails and hair. At the highest, it could mean growth spurts, shifts in skeletal structure, loss of emotional control, organ failure, additional strength, additional limbs, or death.
Rather than gamble, Tough Call elects to remove the arm entirely before the taint can spread. In doing so, she becomes a symbol for the resistance.
In Tough Call’s case, her disability is a badge of pride, a tribute to her strength of will rather than something to be pitied or hidden. It’s never the focus in the scenes she’s in and it certainly isn’t the primary thing about her. When we first meet Tough Call she’s in a difficult position, fighting a virtually un-winnable war and making some dubious choices in order to survive and keep her people safe. She also happens to be a middle-aged woman with one arm. That’s it.
When I was writing The Vagrant and The Malice, I didn’t set out to include characters with disabilities, they just appeared as I was writing. There are three prominent characters that suffer from a physical disability which, given the number of people in the books and the kind of world it is, seems like quite a low number.
It got me trying to think about other characters in fantasy with disabilities, and the majority that come to mind are villains. Chances are if a character has a scar, a missing eye, or a hook for a hand they’re against the heroes rather than with them. And if the hero does have a scar, it’s often a ‘sexy’ scar to demonstrate toughness without disfiguring too much, or one that is located on their back or thigh, easily hidden beneath clothing. In film, we often have a shot of the (usually male) hero’s back which is covered in aesthetically placed scars, but most of the time these marks are out of sight and out of mind.
In fact I really struggled to think of any disabled protagonists in the fantasy I’d read recently (with the exception of Bran in George R.R. Martin’s A Song of Ice and Fire, and Xinian in Jen Williams’ Copper Cat books) though this may be more an indictment of my memory or lack of reading than the genre as a whole.
Feel free to set me straight in the comments as I’d hope there are a lot more positive examples out there, though please don’t include characters with magic or technology that renders their disability irrelevant. The classic example being blind characters that have such advanced other senses that they aren’t disadvantaged all.
If you’re a writer reading this and, like me, you’d like to include more characters on the disabled spectrum, there’s a great post by Elsa S. Henry on Chuck Wendig’s Terribleminds blog about writing blind characters, and this one by Elspeth Cooper on the Bookworm Blues blog about disability in fantasy is interesting too.
© Peter Newman, May 2016
The Malice is available from May 19, 2016. Review coming soon…
In the south, the Breach stirs.
Gamma’s sword, the Malice, wakes, calling to be taken to battle once more.
But the Vagrant has found a home now, made a life and so he turns his back, ignoring its call.
The sword cries out, frustrated, until another answers.
Her name is Vesper.
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