Featured reader reviews: Page 7
Listed below are the latest featured reader reviews on the site. Some are positive in praise, some are negative in criticism, but the one thing they all have in common is that they are well written and explain their reasoning. We can never have enough reader reviews as they add to the quality of the site, making it ever more useful for visitors.
I concur with those who criticize A Dance With Dragons. One comment says it all ..." “How can a guy write thousands of pages and not have an ending?”. GRRM suffers from an affliction called .... "Great Writers Bloat". Isaac Asimov contracted it when he milked the early Foundation books into bloated sequels. No Editor dares criticize the Famous Writer and tell them ... "You’re too long here and too wordy there … why bring in so many characters ... and where the Hell is the Ending!" Each word is treated as if it was giving by Moses/Martin on Har Sinai.
I just finished reading Magician after it had been on my backlog for years. I first came into contact with Feist's worlds when I read Daughter of the Empire when that was released, not realizing it was part of a larger series, and recently reread it. The deep character development of the main characters and the long political plots made me praise the author. None of what I enjoyed in Daughter of the Empire, and its two sequels, was visible in Magician. The blandest, most shallow characters I've read about outside of fanfiction. Women are described only by their beauty and temper. Thinking back, I can only count on the fingers of one hand the female characters that had dialogue (of which two only talked in a context of their romantic relationships). Another two or three were described with a sentence. Political plots that boil down to "some evil guy is taking advantage of someone else". On two separate occasions characters travel for a couple of chapters to ask for help from a greater power only to arrive, realise someone arbitrarily evil is in control and choose to go back home without accomplishing anything significant. Important political events are glossed over and solved with single sentence solutions along the lines of "We have received news of antagonist X; he was killed by a stray arrow in battle!" Nine years of war is described in a handful of battle scenes. Two of them are memorable. The first one because the entire thing was described with "and still they came". The second one because of the laughable deus ex machina solution of a mysterious sorcerer showing up and saving the day at the end. I read Magician with the intention of going through the entire series. Instead I find myself removing everything by Feist on my backlog. The only reason it gets two stars instead of one is because it answered a couple of questions I had after reading Daughter of the Empire.
Beautiful and heartbreaking. The depth of emotional pain and the shadow of shattered hope and brief moments of almost pure joy made this a remarkable read. Survival at the center and love at its purest level is what captured my attention and kept me reading. I saw the movie first and knew I had to read the book. I was not disappointed. Needless to say, read it with a box of tissue close at hand.
Robin Hobb is a wonderful author, and this is her best series. I adore it. The characters are so human, and over the course of the series you grow to love them like they're your friends. Yes, it can get depressing, but everything has a narrative purpose; it isn't just gratuitous cruelty. I've read this many times, and hope to read it many more. Beautifully written, wonderful characters, engaging story. Everything good fantasy should be.
After many years of avoiding reading Lord of the Rings I have just started it. It is amazing. I'm not sorry I put it off because I get to do it now. Tolkien really creates his world from below the ground up. I cannot recommend this book more. It's a great story and you'll learn how a story should be written.
I've read countless books. This is the only one where I did not care one bit about any of the characters.the whole book seems so predictable.and the treatment of the female characters in the book bordered on disgusting.having read many books from this period ,I can hqonestly say this was the most misogynistic thing I've ever read.
You got a good basic premise - nothing particularly innovative but classic is classic because it does work. A battle and a betrayal reminiscent of Sekigahara. An orphaned royal heir to a conquered kingdom raised by a secretive criminal/spy organisation which combined the Mafia and the Ninja, trained to be thief / pirate / spy / assassin / warrior. Let's see ... "Way of the Tiger", anyone? Or Grey Star the Wizard? and many others. Not complaining because it is a formula that works. And it's only the beginning - we do not know whether the orphan will restore his kingdom, yet. But what is different in the application of this formula is that it does not make the whole story centred on the orphan Hatu. Which Feist pretty much did in Talon of the Silver Hawk, an opus which freely imitated the Count of Monte Cristo. At least in this first book, another "nobody orphan" also took the limelight of the alternating storyline, though one can accuse Feist of copying himself by almost replicating Erik von Darkmoor here. Now, a serious failing of this book is the umpteen repetition of passages telling and re-telling the relationship between Hatu and his 2 best friends Donte and Hava. Almost every chapter on Hatu had to bring up how confused the boy was feeling about a girl with whom he not only grew up from childhood (the book made a mistake of mentioning as babies), in a community where male and female students grew up bathing naked at the same time in a common area. Every chapter repeated that Hatu was often getting into inner rages without shedding more light on the rage. Now, another serious failing of the book is the introduction of too many secret organisations working in the shadows, somehow never crossing path except by the merest chance or only after being in operation for centuries, working the same ground. Oh, and the secret org that raised Hatu - apparently, some time before, some members broke away and left, and apparently formed their own rival organisation which not only spied on them but also killed senior members of the original group. Hatu's org's leaders knew about it, but they deliberately kept this information from their own members, info which might not only save their lives, but also ensure their criminal enterprises were unhindered. I still look forward to the next installment of the series but it better avoid the mistakes of the first.
I've had fun reading this book and will definitely start reading the second one less than 24 hours after finishing this one. Some reviewers say that this book borrowed too much from Lord of The Rings and isn't very original, Well, even so, until it was pointed out I didn't notice it at all, and this means it's probably a figment of people's imagination, nitpicks for the sake of bashing the book just because. I enjoyed it and I have found only one thing that bothers me a little: How come the three main characters, Rand, Mat and Perrin happen to be important and live in the same place and even be frends at that? Then Egwene and Nynaeve are also sort of important and they also live in Two Rivers and are well acquainted with the three. How big of a coincidence is this? I would have much preferred if the other two protagonists were from other places and don't know Rand and one isn't even contacted by Moraine hasn't contacted them yet, also with one of them even possibly being contacted by Darkfiends first. It would've made things more off the beaten path. But I liked it as it is too, maybe in the future books there will be such events.
A warhammer inspired fantasy that tackles big themes but falls flat on execution. I was copiously baited to get this book after laying eyes on that nice-looking cover, which in turn further led me to fall an innocent victim to the hype that was circulating the web around it. The majority of ARC reviewers were showering this book with unprecedented praise that left me no choice but to jump on the bandwagon and hope for an enjoyable ride. What I experienced, however, was none other than the true for word definition of a hot mess. Who among us can really resist the premise of a medieval setting, elite soldiers sporting mechanical armors and a whole lot of demon slaying? Not many I presume. Yet, this book somehow managed to butcher these winning ingredients and make a dreadful porridge out of them. The story revolves around a teenage girl named Heloise and her journey to figure out herself and ultimately her ascension from zero to hero, making a stand against the evils of the world to protect the people she cares about. The story starts off strong as we're quickly introduced to the fanatical religious faction that is running rampant; The Order. This little encounter sets the tone for the entire book and catapults the story snowballing everything into motion. In that instance, we're acquainted with the prevailing grimness and biblical oppression that is taken for granted in the Emperor's domain. The people are helpless, the authorities in power are corrupt, and hope is a rare currency. Portraying these circumstances vividly is one of the few redeeming factors this book has. However, as the story goes onward, a sense of intrigue begins to slowly build up throughout the book that eventually grows into outright confusion as worldbuilding is never elaborate nor comprehensive enough to paint a whole canvas. Information is scarce and you're provided very little to help you make sense of what is going on, resulting in an impediment that breaks immersion and makes it difficult to connect with the world and its surroundings. Similarly, the characters are one-dimensional cardboard cutouts unscrupulously produced to fill the background. The protagonist being the main culprit was rather whiney, unlikeable and instigated instant teeth-grinding with her poorly thought dialogues. I was even at a point where I was rooting for her early demise, and that's never a good thing when you're supposed to sympathize and foster an emotional bond with that character. Everyone else is either a dreary housewife, a bland official of some capacity, or a tedious peddler of trades. Moreover, the inferior expression of emotions doesn't help matters one bit. Myke Cole seemed to particularly struggle in making anything stick or sound remotely relatable. Almost every single tide of emotions that were represented had been infuriatingly tethered to a reaction in the character's stomach. I don't know about you, but I can't remember the last time my stomach made any movements in response to something I was going through other than on the mornings preceded by a heavy taco consumption the night before. Logistics is another thing that doesn't make the slightest of sense in this book. The army is apparently tied in a war somewhere, which you only get the most minimal of hints about, whereas the town's blacksmith, had been commisioned to fashion the legendary suits of armor the military employs in their efforts. Yet, why wasn't the blacksmith summoned to work from a more convenient outpost that is closer in proximity than a what appears to be an out-of-the-way village? Wouldn't they be better off if they didn't need to transport this heavy machinery all the way to the war zone? And if the area of conflict was indeed around the corner, why does no one seem at all concerned? In contrast, the fight scenes were full of action, extravagant in violence and excessive brutality, making them exorbitantly exciting to go through. There were even times where I had to close my eyes for a second or two, simply to process the poignant images forming in my head. Additionally, the fatalistic repercussions placed on the over usage of magic was an element that I found most interesting. In conclusion, this is a book that suffers from an identity crisis; some parts read like a YA especially the romantic bits, when others read like an adult fantasy with no decent balance in between. There's a great book buried somewhere underneath this rubble, unfortunately, we won't be able to see it come to life.
Tiresome and repetitive, with a focus on the Y in YA. Main character is such a ridiculous Mary Sue there is no room for any suspense, as he consistently out-magicks, out-thinks, out-plays, and out-everythings everyone else in this book with such ease one wonders whether this is Rothfuss reliving his own pre-adolescent fantasies. Story meanders between Kvothe recounting, in tedious detail, just how poor he is; and Kvothe, winning everything always without much of a challenge. The book, in a nutshell: Kvothe reminds the reader that he is only a wee child of 15, but gosh, he is going to try his hardest! "I only had 2 jots" Kvothe defeats the mean old professor on his first try, despite the professor having decades of experience. "I looked at my last jot with trepidation" Kvothe saves the university from a conflagration. "But how would I get enough jots to pay for tuition???" Kvothe brings the audience to tears with his near-perfect musicianship, garnering an award that eludes master musicians. "I spent the last of my jots on a pair of boots" Kvothe woos the most beautiful and enigmatic woman of all. "I looked down at my purse, buying this crust of bread would cost me the last of my jots" Kvothe saves the world. Incredibly disappointing, the first chapters set up what should have been an exciting story but quickly devolved into a tiresome paint-by-numbers pile.