Marcus Sedgwick was born in Kent in 1968 and is an acclaimed children's author and illustrator.
Sedgwick is renowned for the dark-themes that he incorporates into his young-adult novels. His first book Floodland was published in 2000, winning the Branford Boase Book Award for best debut children's novel.
"I remember consciously thinking before I wrote it that the city was going to be a character, a gift for the gothic. It's really beautiful, but rotting to pieces at the same time. The 18th century was when it was considered at its most beautiful but also at its most debauched." Marcus Sedgwick: Venice and The Kiss of Death.
Imagine that a few years from now England is covered by water, and Norwich is an island. Zoe, left behind in the confusion when her parents escaped, survives there as best she can. Alone and desperate among marauding gangs, she manages to dig a derelict boat out of the mud and gets away to Eels Island. But Eels Island, whose raggle-taggle inhabitants are dominated by the strange boy Dooby, is full of danger too.
"Floodland is a challenging novel for older readers who will be captivated by a vision of the future that is not so unbelievable." Fantasy Book Review
In the bitter cold of an unrelenting winter Tomas and his son, Peter, arrive in Chust and despite the inhospitability of the villagers settle there as woodcutters. Tomas digs a channel of fast-flowing waters around their hut so they have their own little island kingdom. Peter doesn't understand why his father has done this, nor why his father carries a long battered box everywhere they go, and why he is forbidden to know its contents. But when a band of gypsies comes to the village Peter's drab existence is turned upside down. He is infatuated by the beautiful gypsy princess, Sofia, intoxicated by their love of life and drawn into their deadly quest. For these travellers are Vampire Slayers and Chust is a dying community - where the dead come back to wreak revenge on the living. Amidst the terrifying events that follow, Peter is stunned to see his father change from a disillusioned man to the warrior hero he once was. Marcus draws on his extensive research of the vampire legend and sets his story in the forbidding and remote landscapes of the 17th century. Written in his usual distinctive voice, this is also the story of a father and his son, of loss, redemption and resolution.
1910. A cabin north of the Arctic Circle. Fifteen-year-old Sig Andersson is alone. Alone, except for the corpse of his father, who died earlier that day after falling through a weak spot on the ice-covered lake. His sister, Anna, and step-mother, Nadya, have gone to the local town for help. Then comes a knock at the door. It's a man, the flash of a revolver's butt at his hip, and a mean glare in his eyes. Sig has never seen him before but Wolff claims to have unfinished business with his father. As Sig gradually learns the awful truth about Wolff's connection to his father, his thoughts are drawn to a certain box hidden on a shelf in the storeroom, in which lies his father's prized possession - a revolver. When Anna returns alone, and Wolff begins to close in, Sig's choice is pulled into sharp focus. Should he use the gun, or not?
Winterfold, a place of crumbling cliff paths, deserted churches and ruined graveyards, forms the backdrop for Marcus Sedgwick's latest work, White Crow, a contemporary gothic thriller for young-adults. Rebecca is an unwilling visitor to Winterfold during a long, hot, claustrophobic summer and, against her better judgement, befriends local resident Ferelith. The two girls discover more about each other (and about Winterfold) than either really want to, uncovering frightening secrets that would be best left long forgotten.
"White Crow is an intelligent and thoughtful book whose themes of afterlife, faith and death - both human mortality and the demise of a town itself – are explored delicately. Two strong female leads drive a story that is both chilling and memorable in equal measure. Highly recommended." Fantasy Book Review