The audio dramatisation of Tim Lebbon’s Alien: Out of the Shadows is great fun, both eerie and atmospheric while staying mostly true to the Alien legend we know and love. Laurel Lefkow voices Ripley but at times you’ll be forgiven for thinking it’s Sigourney Weaver herself as it is such a great impersonation, and one that I think works perfectly.
But before the review – here’s the synopsis of the story that unfolds over four and a half hours:
As a child, Chris Hooper dreamed of monsters. But in deep space, he found only darkness and isolation. Then, on planet LV178, he and his fellow miners discovered a storm-scoured, sand-blasted hell – and trimonite, the hardest material known to man.
When a shuttle crashes into the mining ship Marion, the miners learn that there was more than trimonite deep in the caverns. There was evil, hibernating and waiting for suitable prey. Hoop and his associates uncover a nest of Xenomorphs, and hell takes on a new meaning. Quickly they discover that their only hope lies with the unlikeliest of saviors….
Ellen Ripley, the last human survivor of the salvage ship Nostromo.
This is an adrenaline-fuelled story and once it has picked up the pace it never slows down. The cast are excellent, with special mention to Lefkow again plus Rutger Hauer and Corey Johnson. The production values are very high (no doubt thanks to the classy Dirk Maggs) and the sound effects really make you jump and are superb are raising the tension to unbearable levels.
There are many, many positive elements. But there are also a few negatives – the story can feel a little unlikely in places and sometimes a little lessening of the pace and some character and location building would have been preferable, in my opinion. I guess the shortened nature of an audio dramatisation is that there is a lot to fit into a relatively small amount of time. I think a lot of listeners will wish it was longer, which is a complement.
But overall this is a triumph and fans of the great radio adaptations such as The Hitch-Hikers Guide to the Galaxy and the BBC’s Lord of the Rings will love what they find here. I’d give it 8.5/10.
Alien: Out of the Shadows: An Audible Original Drama
Written by: Tim Lebbon, Dirk Maggs
Narrated by: Rutger Hauer, Corey Johnson, Matthew Lewis, Kathryn Drysdale, Laurel Lefkow, Andrea Deck, Mac McDonald
Length: 4 hrs and 31 mins
Publisher: Audible Studios
A post by Peter Newman, author of The Vagrant and The Malice
Although The Vagrant is known for having a silent protagonist I’m going to talk about someone else in the series today, a character known as Tough Call.
Tough Call is the rebel leader of Verdigris, who sets up her group headquarters underneath the city when it is overrun by demons. A child of the old administration, she opts to fight rather than bend the knee. Moreover when she comes into contact with one of the demons, she elects to cut off her own arm rather than succumb to the taint. The taint, in case you’re wondering, is something that surrounds the demons and can alter any human, animal or plant that it comes into prolonged contact with, mutating them into strange half-breed creatures. At the lowest end of the spectrum this could mean the loss or gain of nails and hair. At the highest, it could mean growth spurts, shifts in skeletal structure, loss of emotional control, organ failure, additional strength, additional limbs, or death.
Rather than gamble, Tough Call elects to remove the arm entirely before the taint can spread. In doing so, she becomes a symbol for the resistance.
In Tough Call’s case, her disability is a badge of pride, a tribute to her strength of will rather than something to be pitied or hidden. It’s never the focus in the scenes she’s in and it certainly isn’t the primary thing about her. When we first meet Tough Call she’s in a difficult position, fighting a virtually un-winnable war and making some dubious choices in order to survive and keep her people safe. She also happens to be a middle-aged woman with one arm. That’s it.
When I was writing The Vagrant and The Malice, I didn’t set out to include characters with disabilities, they just appeared as I was writing. There are three prominent characters that suffer from a physical disability which, given the number of people in the books and the kind of world it is, seems like quite a low number.
It got me trying to think about other characters in fantasy with disabilities, and the majority that come to mind are villains. Chances are if a character has a scar, a missing eye, or a hook for a hand they’re against the heroes rather than with them. And if the hero does have a scar, it’s often a ‘sexy’ scar to demonstrate toughness without disfiguring too much, or one that is located on their back or thigh, easily hidden beneath clothing. In film, we often have a shot of the (usually male) hero’s back which is covered in aesthetically placed scars, but most of the time these marks are out of sight and out of mind.
In fact I really struggled to think of any disabled protagonists in the fantasy I’d read recently (with the exception of Bran in George R.R. Martin’s A Song of Ice and Fire, and Xinian in Jen Williams’ Copper Cat books) though this may be more an indictment of my memory or lack of reading than the genre as a whole.
Feel free to set me straight in the comments as I’d hope there are a lot more positive examples out there, though please don’t include characters with magic or technology that renders their disability irrelevant. The classic example being blind characters that have such advanced other senses that they aren’t disadvantaged all.
Sometimes books and narrators are perfectly matched. Stephen King’s Dark Tower series and the voices of George Guidall and Frank Muller is one example, Guy Gavriel Kay’s works and Simon Vance another. And we also have Stephen Fry and Harry Potter, which is a match made in heaven.
It’s surprising to find that the first book in J. K. Rowling’s series, Harry Potter and the Philosopher’s Stone, will celebrate its nineteenth anniversary this year so a review of the audiobook in 2016 may seem a little odd. But there is a good reason, and that is that all seven audiobooks are finally available on Audible.co.uk, with whom I have a yearly membership.
One thing I will say before the review itself is that a good narrator can make an average book better and a poor narrator can make a good book seem average. This is why reviewing audiobooks is often so difficult. But this audiobook review is easy as the first Harry Potter book is excellent and Stephen Fry nails it.
There’s not much you can really say about Harry Potter that has not already been said. I’ve always found it a delightful book, wish-fulfillment of the highest order and written with great energy and humour. The children (and the millions of adults like myself) that found themselves spellbound by this book didn’t just want to read about Hogwarts, they wanted to go there. It is the Hobbiton of its generation. Harry Potter and The Philosopher’s Stone is a lovely story which draws on the elements I have always enjoyed – we have the young, unsuspecting hero in a horrible situation with horrible people (the unforgettable Dursleys) discovering that he is not quite as ordinary as he believed. And in short order he finds himself at the most wonderful school of magic with friends (for life), a brilliant assortment of teachers and more adventure, thrills and danger than you could shake a wand at.
But what makes this audiobook so wonderful is that it is a wonderful story read to you by a simply wonderful story-teller. I’m old enough to have followed Stephen Fry through the decades and have seen pretty much everything he has been involved in. I have seen him on screen with Robbie Coltraine (Hagrid), Emma Thompson (Miss Trelawney), Kenneth Branagh (Gilderoy Lockhart) and I find it charming to think that he is doing impersonations of close friends when he voices these characters. He also produces excellent voices for Harry, Ron and Hermione, who are the most important of all as they feature is what must be every chapter of the book. Harry’s Uncle Vernon, Dumbledore and Miss McGonagall are other great voices that stand out. There is simply no weak link in Fry’s narration and to create such unique and rich voices for what, over seven books, becomes a very large cast indeed, is a remarkable achievement.
Audiobooks simply don’t come much better than this. If Harry Potter is not your thing then fair enough, this won’t change that, but if Harry Potter is your thing and you want someone to read it to you while you drift off to sleep, wash the dishes, go on a run or drive to work (which is where I did my listening), then this reading is simply sublime.
When my Mum informed me that she needed to borrow some of my Derwent colouring pencils, I was a bit surprised. Turns out, however, that adult colouring has taken the world by storm. Bookstores all over the world are now selling colouring books for adults, with themes from intricately drawn flower mandalas to cats.
And A Game of Thrones.
The Official A Game Of Thrones Colouring Book is an marvellous selection of intricate drawings that will keep any adult colouring extraordinaire busy for hours (and the rest of us for days).
Done very much in the style of decades’ worth of fan and professional art inspired by a fantasy book series – including art by the world-famous John Howe, who is renowned for his The Lord of the Rings artwork, and his subsequent heavy-involvement with The Lord of the Rings and The Hobbit movie trilogies – the nearly-50 original black and white drawings found inside cover everything from House crests, dragons, wolves, battles, and your favourite characters.
Even if you are just starting out into the world of adult colouring, this book will be an absolute blast – and all the more fun if you are a fan of A Game of Thrones.
Winner 2015 CIPA EVVY awards for Fiction/Fantasy
Current finalist 2015 Writer’s Digest Self Published Book Awards for Genre Fiction
#1 Bestseller in Epic, Historical and Coming of Age Fantasy
When a high-ranking officer gallops into the quiet Mistyvales, he brings a warning that shakes the countryfolk to their roots. But for Aedan, a scruffy young adventurer with veins full of fire and a head full of ideas, this officer is not what he seems.
The events that follow propel Aedan on a journey that only the foolhardy or desperate would risk, leading him to the gates of the nation’s royal academy – a whole world of secrets in itself.
But this is only the beginning of his discoveries. Something is stirring in the land, something more ominous than the rising threat of hostile nations. Fearful travellers whisper of an ancient power breathing over Thirna, changing it, waking it. In the very heart of these stirrings, Aedan encounters that which defies belief, leaving him speechless with terror – and wonder.
You can purchase Dawn of Wonder from Amazon:
Jonathan Renshaw is a former high school English teacher and music producer who now writes full time. He is currently working on the epic fantasy series, The Wakening, launched in May 2015.
Over the last few months Fergus and I have read steadily through our five short-listed Self-Published Fantasy Book-Off entries and we are pleased to announce that a winner has been chosen.
Before we announce the winner, here are our thoughts on the four other excellent short-listed titles.
Runner-up: Frotwoot’s Faerie Tales (The Unseelie Court #1) by Charlie Ward
The Seelie and Unseelie Courts are at war. On one side: Noble knights, fighting for freedom. On the other: Not-so-noble terrorists, fighting for the right to rule. Caught in the middle: A very confused, very lost teenage boy. His name is Frotwoot Crossley. And he’s about to find out that, somehow, that’s not even the weirdest thing about him…
Our thoughts: We found this to be a charming and pleasantly irreverent story which both older children and teens should love. It is a very well-written story ideal for readers who have already enjoyed The Narnia Chronicles by C. S. Lewis and The Chrestomanci series by Dianne Wynne Jones.
Runner-up: The Penitent Assassin by Shawn Wickersheim
Thirty years ago, when Mallor was a child, he was the sole survivor of genocide. Five years ago, while pursuing his revenge he was ambushed and killed. His goddess offered him a chance to return on the condition he became her assassin. Mallor agreed. Now, he is back, in the dank city where it all began using an old identity to hunt down a list of old foes, but thirty-six hours before his revenge would be complete, he learns a couple of things; he has a daughter, she’s been kidnapped by a sadistic magic abuser and the price for her release would not only ruin all of his plans but also kill his goddess. Mallor is nobody’s hero, but can he sacrifice his daughter to save his goddess, or will he forsake his faith and his need for revenge to rescue her instead?
Our thoughts: We found that the darkness that lurked at the edges of this book added greatly to its appeal. The narrative constantly raised questions that we wanted answering, such as ‘who are the dark replicants?’ and ‘who is/was Mallor?’. Full of unexpected happenings, twists and turns this is a very good book with great anti-hero that Gemmell fans will enjoy.
Runner-up: Whill of Agora (Legends of Agora #1) by Michael James Ploof
It is the year 5170 in the land Agora, where humans, dwarves, and elves have existed in peace for centuries. Now, however, the human King Addakon has invaded and waged war on neighboring Isladon. The once peaceful Kingdoms of Agora are on the brink of continental war. The Dark Elf Eadon, and his army of Dragon-Elf crossbreeds, the Draggard, threaten to conquer all kingdoms.
Enter young Whill, a nineteen-year-old ranger with battle savvy and untapped abilities. Having spent years roaming Agora and training with his mentor Abram, Whill has become a bright intellectual and a master of combat. What he seeks most, however, is the identity of his birth parents. Instead, he finds a tumultuous terrain and a prophecy placing him in the center of the struggle. Along the way, Whill encounters an equally inspired group of companions that are matched in skill and mission. These include Rhunis the Dragon Slayer, the young Tarren, the fearless Dwarf Roakore, the beguiling warrior Elf Avriel, and the powerful Zerafin. As Whill joins forces, he forges bonds far mightier than their escalating travails. With high adventure and fierce friendship, Whill of Agora will capture your imagination and grip your heart during every super-charged escapade that Agora’s bold and grinning brotherhood embraces.
Our thoughts: We both liked this one a lot, in fact we both thought it was the best-written of the five shortlisted. However, we also felt that lacked its own stamp of uniqueness, the individual elements and concepts that set a fantasy book out from the rest. The story had all the ingredients of a first-rate fantasy tale: a hidden hero, an oncoming war and old secrets long kept. Reading this book brought back memories of old stories we loved, in particular the Shannara and Wheel of Time novels. But in the end this is why it was not our winner. However, we would both heartily recommend Whill of Agora to anyone who is looking for classic fantasy in the vein of Jordan, Brooks and Eddings.
Runner-up: Paladin’s Redemption (Kingdom’s Forge #1) by Kade Derricks
Paladin, Traitor, Outcast, Mercenary… Dain Gladstone has been all of these. From childhood he’s been groomed for battle and trained in the Light. When war came he was branded a traitor and exiled for a treasonous act of mercy. To make his way in the world Dain has sold his skills to the highest bidder. But now he’s grown tired of war, tired of fighting for causes not his own, and he’s got a plan. Galena… rumors fly of a great fortune there, one buried beneath the snow-covered mountains, one vast enough to purchase an entire kingdom. Dain isn’t the only one seeking Galena’s riches. Men and elves and orcs all have plans of their own. Fortune has a way of twisting fate and turning the finest of plans on their heads.
Our thoughts: This book begins very well with a grimness to the character, landscape and story which felt fresh. But as the narrative progressed it entered into more common fantasy areas with golden elves, brown elves, orcs etc. providing a fantasy brew of Tolkien, Feist and Word of Warcraft themes, which will appeal to many.
Winner: What Remains of Heroes (A Requim for Heroes #1) by David Benem
Lannick deVeers used to be somebody. A hero, even. Then, he ran afoul of the kingdom’s most powerful general and the cost he paid was nearly too much to bear. In the years that followed, his grief turned him into a shadow of his former self, and he spent his days drowning his regrets in tankards of ale.
But now an unexpected encounter casts Lannick upon an unlikely path to revenge. If he can just find the strength to overcome the many mistakes of his past, he can seize the chance to become a hero once more. And with an ancient enemy lurking at the kingdom’s doorstep, he’d better…
Our thoughts: Surprisingly this was not the pick of the bunch after the first chapter. If the book has any flaws they are – in our opinion – found in the first chapter where a couple of major plot elements don’t quite feel right. But from chapter two onwards it was like reading a fantasy pro with years on experience and large publishing house behind them. We both bought into the characters and the story and that is really all it takes – once an author has achieved that with a reader much of the hard work is done. Added to this was a wry humour that worked really well and world building that felt, well, like a real world being described. The book strengthened with each page and was, we felt, the best book we read as part of the self-published fantasy blog-off.
And so there we are, What Remains of Hero is the book we are pleased to put forward to the next round of the competition where we would like to wish David Benem the very best of luck.
And to the four runner-ups: Thank you for submitting your work, we really enjoyed it and both Fergus and myself will be reading it to completion in our own time. Lee and Fergus, July 2015
We are taking part in the Self Published Fantasy Blog Off, a competition where we – and many other fantasy websites – receive 25 self-published fantasy books and are given the difficult task of selecting just 1 to put forward to the next stage.
Fergus and I approached this task in this way – we read the first chapter of each book and noted down those books that both impressed and engaged us. We then compared notes and found that we were in agreement on 5 titles. They were:
What Remains of Heroes (A Requiem for Heroes #1) by David Benem
The Penitent Assassin by Shawn Wickersheim
Whill of Agora by Michael James Ploof
Paladins Redemption by Kade Derricks
The Unseelie Court (Frotwoot’s Faerie Tales #1) by Charlie Ward
Mark Lawrence, who has the unenviable task of organising everything, thought it would be a good idea to mention some of the recurring issues we found with some of the entries, in the hope that feedback might prove useful. Should any of the authors of the 21 books that did not make the short-list require any additional feedback please email firstname.lastname@example.org and we will be able to provide a little more information.
Obviously the first thing that should be mentioned is that Fergus and I like some sub-genres more than others. Some of the books that were submitted were not written with us in mind as their target audience. There isn’t much we can do about that I’m afraid – we simply like what we like. But if the book was well-written with an engaging story and characters it passed the first hurdle.
So here are a couple of snippets from our notes, to give a taste of why some books were passed over.
“Repetition of words throughout chapter, e.g. believe was used 5 times in the first 10 lines” – a reader can be lost as quickly as the first paragraph. I recently read a book which contained 5 similes on the first page – the sky wasn’t just black, it was as black as the deepest level of the largest ocean… and so on.
The complaint that appeared most was that the structure was poor, the writing sub-standard. The first book I rejected read like a bullet-point list, its structure being sentence, full stop, sentence, full stop – there was no flow, no celebration of a beautiful language and it had all the charm of a power-point presentation.
“Dry and uninspiring” was noted down next to a story. This means that after the first chapter we just has no interest in the story or its characters.
Many of the books were rather difficult to read, mainly due to how they were written. It’s not enough to just have a good story, the way in which it is told is of equal importance. Many books were often either under- or over-written, proving it really is a delicate balance. I’ve been running this site for nearly 10 years now and I’ve begun to notice something – many of the best authors have a work history including journalism or editing, jobs where one can become both skilled and comfortable with words. Many have also done a creative writing course. However, what I would find interesting is to be able to read a manuscript by someone like Robin Hobb before the editors got their hands on it. Robin Hobb writes beautifully but how much is natural and how much is thanks to the often under-appreciated skill of editors?
Then of course there comes the problem of having read the book before. I think every author wears their influences on their sleeve but sometimes it’s a little too on-the-nose. If, in the first chapter, you feel like you are reading a re-tread of The Lord of the Rings, Harry Potter or Twilight then it is unlikely that you will feel well disposed towards it.
In summary, the books that made the short-list had 2 things in common.
The were written with a fair degree of skill, care and attention to detail.
The story, locations and characters were both engaging and well-written.
When reading the very best stories you barely think about the author behind the work. Ideally the only time you give them any thought is when eagerly getting your hands on more of their work.
Congratulations to the 5 authors who have made the short list and thank you to all who submitted their work. Here are some nice words from Fergus to end on:
Firstly, I would like to say it takes courage, dedication and conviction to finish a story and a fearlessness to put it out in the world for others to read. You have accomplished something many dream off, but have been unable to achieve as yet.
Unfortunately, being a competition we can only go forward with the novels that resonated with us. For those who did not make next stage in our decision process, it was a pleasure to have the opportunity to read your work. Confidence, fortitude and belief in your story will see you through and we wish you every success in the future.
The following is a review of the audio-book edition of Stephen King’s Mr Mercedes, a cat and mouse thriller narrated by Will Patton and first released in June 2014.
Author King and narrator Patton recently joined forces for Dr Sleep, the author’s last publication (that review can be found here), and a sequel to his classic The Shining. So I felt in safe hands as I began the latest offering from an author whose output remains as varied and engaging as ever.
Stephen King opens books well. I guess you could say that he is an expert in manipulating the ‘hook’, that magical something that draws the reader in within the first chapter and holds their interest for the remainder of the book. And Mr Mercedes utilises this ‘hook’ as well as any King novel. Picture this – it is very early morning, mist reduces vision to only a few feet and outside a job fair (this novel is set during the recent recession) job-seekers have queued to be first in line when the doors open, seeking to secure one of the few hundred jobs on offer. And from out of this mist suddenly emerges a powerful Mercedes motor car, clown-masked driver behind the wheel, which ploughs indiscriminately into those crowded close together at the front of the line, killing eight and injuring and maiming many others. This masked perpetrator was never caught.
I don’t know about you, but this opening caught me hook, line and sinker.
Moving on from this stellar opening the story jumps ahead a few years and the detective who led the hunt for the Mercedes killer, one Hodges DET RET, is now retired, overweight and contemplating suicide. But a taunting letter from Mr Mercedes arrives through his letterbox and any thoughts of suicide are banished as the retired detective finds himself reinvigorated and determined to catch the maniac who had eluded him while active. And so begins a game of cat and mouse as Hodges and Mr Mercedes mess with each others minds and lives.
The first half of Mr Mercedes is excellent, just as good as all of King’s recent books, by which I refer to 11.22.63, The Wind Through The Keyhole, Joyland and Dr Sleep. And as I’ve mentioned is all my recent King reviews – he is writing as well as he ever has. But then things, in my opinion, begin to take a bit of a turn for the worse and a rather lame, but fortunately brief, romantic interlude is followed by rather weak secondary characters, which I can only call caricatures, being elevated to leading roles in a manner that seemed scarcely believable. This made the second half of the book a let down. And I think many other King fans might agree that the book loses its way after the midway mark, it just wasn’t up to his usual high standard.
But it would be unfair to concentrate on the negatives as there is much within that is classic King, the product of a craft mastered over decades. And Hodges is not an alcoholic which was refreshing. There is as ever a strong focus on characterisation and back-story development (initially) which allows for a strong emotional attachment between the reader and characters written on the page. King also has a gift for building tension with his narrative.
Will Patton’s narration was once again very good, doing full justice to the leads of Hodges and the Mercedes Killer. He is a first rate narrator.
So my summary would be that a cracking first half is followed by a weak second. But every review is subjective and others may experience the book differently.
Recommended, but with caveats.
Mr Mercedes (unabridged) by Stephen King Narrated by Will Patton Length: 14 hours, 21 minutes Publisher: Hodder & Stoughton
We are, here at Fantasy Book Review, honoured to welcome award-winning author Charlaine Harris to our website during her whistle-stop blog tour promoting her brand new book, Midnight Crossroad (you can read our review here). The creator of the massively popular Sookie Stackhouse series kindly answered a few questions on Midnight, the setting for her new novel.
Where did the idea of Midnight, Texas come from? You mention it came gradually; did you always want it to be a small, desolate place?
Yes, I did. First I thought of the pawnshop, and then the crossroad; crossroads are traditionally mystical in several ways. Then I decided it had to be a more barren landscape, like west Texas, because that was just the way I saw it.
As you have mentioned previously, you have no plans to write another Harper Connelly novel but can we expect her to show up as a guest character in Midnight in a future novel? (This would go for any main character from one of your other series)
Harper may show up, but she’s such a strong character that I thought it better (after writing a scene for her) that she not appear in the first book. And so far, she isn’t in the second. I just don’t need her, yet. I don’t think any of the main characters will be included in the Midnight cast, but of course I may get a great idea!
What part of the creative process (when writing a novel or envisioning a series) do you enjoy the most?
The world-building is fun. It’s like playing with dolls and Legos, too, building imaginary houses and putting imaginary people in them. Interview by Michelle Herbert We would just like to wish Charlaine all the best with her new book. Why don’t you join her once again on her tour at the websites shown in the animated image above.
The following is a review of the audio-book edition of Guy Gavriel Kay’s River of Stars, a return to the world and setting of his critically acclaimed Under Heaven, narrated by Simon Vance and first released in July 2013.
This was not my first experience of a collaboration between author Guy Gavriel Kay and narrator Simon Vance having late last year listened to Vance reading my all-time favourite Kay novel, Tigana. I thought then that the narrator had the perfect voice for the author’s beautiful narrative and so I felt confident that River of Stars was a close to a "sure thing" as you’re likely to get.
Before the review, the story: Ren Daiyan was still just a boy when he took the lives of seven men while guarding an imperial magistrate of Kitai. That moment on a lonely road changed his life – in entirely unexpected ways, sending him into the forests of Kitai among the outlaws. From there he emerges years later – and his life changes again, dramatically, as he circles towards the court and emperor, while war approaches Kitai from the north.
Lin Shan is the daughter of a scholar, his beloved only child. Educated by him in ways young women never are, gifted as a songwriter and calligrapher, she finds herself living a life suspended between two worlds. Her intelligence captivates an emperor – and alienates women at the court. But when her father’s life is endangered by the savage politics of the day, Shan must act in ways no woman ever has.
In an empire divided by bitter factions circling an exquisitely cultured emperor who loves his gardens and his art far more than the burdens of governing, dramatic events on the northern steppe alter the balance of power in the world, leading to events no one could have foretold, under the river of stars.
Guy Gavriel Kay is a very fine author, capable of writing wonderfully well within any genre. Those of use who read and review within the fantasy genre are forever grateful that he continues to produce books that belong to it. Kay’s forte is difficult to nail down – some might say alternate history, others historical fantasy and while both descriptions go some way to helping to explain his work to others neither are quite accurate enough. Perhaps the term often applied to Tim Burton’s films, a re-imagining, might convey well how Kay takes moment and place in time and uses it as the loom upon which he weaves his story.
Kay’s writing is, as always, poetic, the phrasing almost hypnotic. River of Stars is a large book that should be read/listened to carefully and steadily, as it is to be savoured. The book displays all the signs of being well researched and this allows for the story to evolve seamlessly as the cleverly interwoven storylines converge. Oh, and did I mention it’s inspired by Ancient China, which is a time I find particularly fascinating? There is however a rather dark feel to the narrative as all human life at this time is precarious and cheap with the lower classes of society in particular being used mercilessly by those of higher birth. The characters, both the low- and high-born are, as is always the case with Kay, well rounded and completely believable.
I thoroughly enjoyed listening to Simon Vance’s reading of Kay’s words as his delivery was subtle and nuanced. He wisely did not attempt to adopt Chinese accents for the characters, as surely that path would have only lead to disaster! Instead his delivery is quietly powerful and he cleverly uses subtle alterations that make it easy to identify between the large cast of characters. Vance is a narrator I would never hesitate to recommend and when provided with good source material the outcome with always be a pleasure to listen to.
Under Heaven was an excellent book and this ‘sequel’ is also very, very good. It is a rich and vibrant tale inspired by the decadent Song Dynasty. I would highly recommend River of Stars to fans of Kay’s previous works and for those with a love of historical fantasy, particularly concerning China.
River of Stars (unabridged) by Guy Gavriel Kay Narrated by Simon Vance Length: 20 hours, 48 minutes Publisher: HarperCollins Publishers Limited